Source: Review Copy (British Library)
Vintage Mystery Scavenger Hunt Item: Red Object (Flowers)
This is my second foray in to Miles Burton’s work, having read Death in the Tunnel (1936) a few weeks ago. In my opinion The Secret of High Eldersham (1930) is a novel which struggles to decide whether it is a thriller or a detective novel. It begins with the murder of retired police constable Samuel Whitehead, now turned public house landlord. Scotland Yard is quickly called in and from the outset there is a strong suggestion that High Eldersham (the village near the pub) is a ‘queer’ and insular place. The inhabitants of this village are shown to have an extreme aversion to strangers and strangers who come to the area don’t stay for long. Unsurprisingly both the reader and Scotland Yard detective, DI Young surmise that there is something more planned behind this and wonder if Whitehead is a victim of it.
Very quickly Young thinks there is a superstitious conspiracy of sorts going on and he decides to call in outside help in the form of an old war time friend, Desmond Merrion, a well off bachelor who during the war worked in the intelligence branch of the Admiralty and in Holmes style he has ‘a living encyclopaedia upon all manner of obscure subjects which the ordinary person knew nothing about.’ He also reminded me of Sayer’s Lord Wimsey as well such as when he arrives at the inquest with ‘an expression which seemed to denote complete boredom. He winked at the Inspector, and took his seat with an air of comical resignation, as though accepting some unwelcome penance.’
Yet, soon into this investigation the plot turns much more into a thriller than a detective novel, which is reinforced by the way Young’s activities become side lined in the middle of the book and the narrative focuses on Merrion’s exploits. These exploits entail Merrion encountering old acquaintances such as Laurence Hollesley who lives in the area and who is besotted with Mavis Owerton, daughter of the local magistrate Sir William Owerton. In true thriller fashion Merrion also falls for Mavis which leads to typical hero rescuing heroine dramatics at the end of the novel. Boats of all kinds feature in this story and are an instrumental part of the plot. These parts of the book come across stylistically and atmospherically as a combination of Wind in the Willows and The Riddle of the Sands (the latter not being a book I enjoyed).
I think this novel started out well and I enjoyed the humorous characterisation of Constable Viney who initially finds Whitehead’s body, as he is not very brave or experienced in police work. But due to the distinct lack of clues surrounding the murder the story does not progress well. It relies more on sinister and peculiar events surrounding the murder, which means that the investigation lacks direction and rather meanders. This affected the pace for me. Moreover, the thriller elements which crop up in the story weren’t successfully done in my opinion as firstly it led to some very trite moments in regards to Merrion and Mavis and it also meant that the mystery surrounding the case doesn’t stay that mysterious. In comparison to Death in the Tunnel there is more characterisation in this book, but unfortunately Burton relies on rather weak character criminal tropes, making the guilty stand out a mile. When the full nature of the conspiracy is revealed at the end of the book it did come across as a bit too fantastical and melodramatic for my taste and the solution to the original murder is rather rushed.
However, Past Offences has also reviewed this book today and seems to have enjoyed it more than me, so click here to see what they think.
Rating: 3.5/5
Snap! And we both opted for Riddle of the Sands + children’s book as well (Swallows and Amazons for me). I think I enjoyed this in the same ‘guilty pleasure’ way I quite like Tommy and Tuppence books.
LikeLiked by 1 person
Are the Tommy and Tuppence novels a guilty pleasure?! I think those books are more clearly either detective or thriller works, whereas this novel couldn’t quite make its mind up. I don’t think it helps that I hated reading The Riddle of the Sands so being reminded of it in another book probably didn’t help me.
LikeLike
I liked Death in the Tunnel so I’m looking forward to this one. But you point out the thriller elements and I may not like them much either. Somehow they clash in a book of this type.
LikeLiked by 1 person
Yes I think the thriller elements will divide readers. The puzzle element in Death in the Tunnel is stronger than in this one.
LikeLiked by 1 person
Well that’s good to know. I enjoyed the puzzle aspect of Death Leaves No Card and would prefer to experience more of Rhode/Burton’s puzzles over his thrillers – so I’ll start with Death in the Tunnel. Many thanks 🙂
LikeLiked by 1 person
Yes I think Death in the Tunnel would be much more up your street.
LikeLike
Boom Boom!
LikeLike
Thanks for another helpful review.
If this is anything like “The Riddle of the Sands” then I won’t go near this book. “Riddle” was such torture to read, that I feel no intention of duplicating that “pleasure”.
On the other hand I would like to try some Burton, I just don’t know where to start.
LikeLiked by 1 person
haha I feel your pain. TROTS was also a bad experience for me too. As to which Burton/Rhode novel to try I would go to Insearchoftheclassicmysterynovel blog run by the Puzzle Doctor, as he has reviewed quite a number of this author’s work this month and so therefore would be in a better position to advise you.
LikeLiked by 1 person
Ah, thanks, I am familiar with Puzzle Doctor’s reviews, I just forgot that Rhode and Burton were actually the same person 🙂
LikeLiked by 1 person
Oh dear, I had such high hopes for this title – if only because it has one of the prettiest covers, if not the prettiest, among the British Library Crime reprints. I read ‘Death in the Tunnel’, which had an enjoyable mystery with a slightly over-convoluted second half. And yes, that’s coming from someone who likes Rupert Penny!
LikeLiked by 1 person
Yes I did as well, but it didn’t work out for me. I think it just depends on how much like thriller conventions. The front cover though is really nice.
LikeLike
[…] Cross Examining Crime […]
LikeLike
[…] village insider, conversant with all the community’ (Makinen, 2010: 421). Yet in Miles Burton’s The Secret of High Eldersham (1931) and Edmund Crispin’s Buried for Pleasure (1949), the solutions to the cases come from […]
LikeLike
[…] Other reviews worth noting are at the Past Offences blog here and the Cross Examining Crime blog here. Both Past and Cross picks up on the potential stylistic connection to The Riddle of the Sands, […]
LikeLike
[…] The Secret of High Eldersham by Miles Burton (Item: Red Object) […]
LikeLike
[…] Library. I’ve only read two Miles Burton novels previously, Death in the Tunnel (1936) and The Secret at High Eldersham (1930), which were good but they didn’t have me racing to track down more of his works. […]
LikeLike
[…] Crossexamining Crime […]
LikeLike
[…] Secret of High Eldersham has been reviewed, among others, at Cross-Examining Crime, Past Offences, In Search of the Classic Mystery Novel, Crime Review, The Grandest Game in the […]
LikeLike